Academics & Cultural Commentators - Class In British Film & TV

What counts as a good life on screen and who gets to have one? I’m writing a report on representations of class in British film and TV over the past two to three years: working-class lives, middle-class aspirations, and the ways stories shape our understanding of ambition, success and belonging. In The Cage, casino workers steal while juggling financial pressure and family responsibilities. In On Falling, a warehouse worker’s exhausting routine leaves little room for connection. What happens to the promise of a good life when working hard barely keeps you afloat? Getting ahead brings its own complications. California Schemin’ follows Scottish rappers adopting American identities to overcome industry prejudice. Dreaming Whilst Black uses comedy to explore creative ambition, awkward encounters and gatekeeping. How much of yourself must you edit before someone recognises your talent? But class also runs through the pleasures of everyday life: family banter, friendships, neighbourhood loyalties and the satisfaction of being understood. Scrapper gives estate life colour, imagination and tenderness. Comedy can turn familiar class assumptions into a shared joke—or make someone else’s background the punchline. I’m particularly interested in that balance: stories that acknowledge inequality while allowing characters humour, desire and joy. And stories where fulfilment might mean sustaining your relationships and community, rather than leaving them behind. I’d love to speak with academics, cultural commentators and media strategists working on these themes. It would be a 15–20-minute chat, and I’d welcome perspectives and examples that challenge this framing. Interested, or know someone I should speak to? Please comment or send me a message. #BritishTelevision #BritishFilm #SocialClass #PopularCulture #Comedy #CulturalInsights