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Maasai Mara Guides & Camps - Reducing Visitor Impact On Lions

Last month National Geographic released 'Lion', a four-part series we spent four years making. As you can see from the TX cards, it was a mighty team effort led by BBC Studios. Since it started streaming on 20 August it has held a place in the Global Top 10 for over two and a half weeks unbroken, peaking at #2 worldwide, and it's sitting at 8.3 on IMDb.com and 100% on Rotten Tomatoes. I'm proud of all of that, but after four years with these lions what I really care about is what happens next. I believe every film we natural history storytellers make should have to leave something behind. Everyone seems to think lions are doing fine. They're not: the population has fallen by around 50% in the past 25 years, and the pressures are not the ones people imagine. We found Kio smaller than a bag of sugar, on wobbly legs, and unlikely to make it: half of all lion cubs don't survive their first year. He did, in a landscape where pressure on lions has been a constant. The hardest of it is conflict with livestock, a genuinely complex problem for the communities who live alongside these animals and not one I'm qualified to pronounce on. It's what the Mara Predator Conservation Programme, at Kenya Wildlife Trust, works on every day. There's another pressure, though, and this one I'm part of. Every lion in the Mara has a daily audience of vehicles, phones and long lenses, people who have travelled a very long way to see something. We watched the pride's cubs unable to get to their mothers, the cars too crowded around a kill. It was incredibly hard to witness. And Kio's audience is bigger than most now that people know his name, which is our doing. I don't have a tidy answer to that. The attention a series like this creates is the same attention that helps pay for a place to be protected, but it isn't free, and the lion doesn't get a vote. So it's genuinely encouraging that the Disney conservation arm is continuing its support for the Wildlife Conservation Network's Lion Recovery Fund, and I hope that support reaches organisations like MPCP who are doing the work on the ground. But funding isn't the only lever, and after four years of watching how people behave around these animals I keep coming back to the visitor side of it. I'd like to hear from people working on this already: guides, camps, researchers. What can we do to make the predators' lives less hemmed in? And if you haven't met Kio yet, Lion is streaming now on Disney+, Hulu and National Geographic.

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Cumberland Island Residents & Workers - Love Story Tourism Impact

My latest for National Geographic: The surging popularity of the FX show #LoveStory on Hulu has spurred a run on #JFKJr.-core men’s fashion, overwhelmed staff at Panna II, Tiny's, and #TheOdeon, and mobbed a residential block in Tribeca. But on #CumberlandIsland #NationalSeashore, questions from would-be travelers about coming to check out the site of the wedding have spiked, but tourism has stayed in check, according to the National Park Service — even through months of “Love Story” mania. 🌴 💒 🌴 Why? Speaking from personal experience, I can assure you that all that’s kept that mania from reaching Cumberland is the same thing that drew Kennedy and Bessette here in the first place: It is much, much, much harder to get to than the Odeon. And once you’re there, there is but one place to get a dirty martini. 🍸🦪 For this **assignment** from a very thoughtful editor at #NatGeo (and goodness does it make my heart sing when editors find *me* with a good idea instead of the other way around), I talked to the owners of The Greyfield Inn, the folks at Birds Georgia and Wild Cumberland, tour guides, van drivers, long time campers, and lifelong landlowners about Cumberland Island before and after the Kennedy's love story the first time, and its revival on TV this year. Have you ever lived or worked here? DM me, I'm working on another story about it and want to hear from you. https://lnkd.in/gfqFhZ8V

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